Guide Study, Op. 45, No. 19

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One cannot fully appreciate the charm o f inspiration, in practicing only exercises o f dexterity. These are true conqmsitions that have a place in every curriculum in contradistinction to mechanical studies. They have aU shared Heller's views with regard to the importance o f the intellectual and spiritual aspects o f study and performance, as opposed to the pedagogical value inherent in abstract, repetitive and unm usical finger exercises which dull musical sensitivity and listening interest.

They have placed a special importance upon the development o f the m usical imagination and the capacity to attain an idealized aural image o f m usical conqmsition, realizing that this w ill always. University o f Iowa, Ann Arbor, Nfichigan; University Microfilms, hic. Ronald Earl Booth, Jr. Stanley Sadie, ed.. The present document will adhere to die title supervised by Heller in die original publication: 25 tudes mlodiques.


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These etudes are seldom equal in quality to those o f Chopin and Liszt [referring to other etude conosers o f the day], but clearly they were bom o f the same impulse, and some o f them deserve to be better known than they are. Hippolyte Barbedette, Life and Works, trans. M any o f H eller's reviews o f musical. Eric Blom, ed.. Heller, Stephai Istvn , by Richard Gorer, Heller, Stephen, by Reinhold Sietz, Nicolas Slonimsky, ed..

Heller, Stephen, A n intim ate profile o f H eller's character is revealed in Hellers letters to Sir. Bloomington: Indiana University Press, , Hall and Marie IW l, eds. Cambridge: Cambridge University Press, Barbedette's biography is based prim arily on his. Eric Blom, ed. Booth, The Ltfe and M usic, 9. Barbedette, Life and Works, 3.

Barbedette, Life and Works, 7. B o o t h comments th at the lack o f success w as. Barbedette, L fe and Works, W hen Stephen Heller subm itted his first attempts to Schumann, the latter was struck by some points o f resemblance between his ow n music and that o f the young conoser. But, H eller was at the tim e unacquainted with a single note o f Schumann's m usic, and took him simply fo r a critic.

Barbedette, Life and Works, Stanley Sadie, ed. H e was forced to do a certain amount o f hack-work, w riting fentasies on popular music o f the day and, like Berlioz, indulging in m usical criticism. Niecks, Life o f Chopin as a Man and Musician, Booth, Life and Music, In th e winter o f , Stephen H eller arrived in Paris, w inch marks an epoch in my life. A friendship sprang up betw een us alm ost at once, which endured uninterruptedly to the end of his days in , and had a most decided influence upon m y intellectual development.

Only those who have known him as intim ately as I have and I doubt if there are m any can appreciate the high quality o f his gifts, the superiority o f his intelligence, and the soundness o f his judgem ent in all m atters m usical, artistic, and literary. H eller was a rem arkable pianist, but shrank from playing in public, and perhaps he had n o t the gift to impress a large audience. There was a singular m odesty and reticence in his own playing o f his ow n w orks, an indication only o f em ressio n and nuance, as if he felt shy o f telling all the secrets o f his heart.

The program m es com prised every kind o f pianoforte music, and if at first I avoided the more abstruse works, such as the later sonatas o f Beethoven, I soon discarded this precaution and played w hatever I wished to make known. Barbedette, Lifo and W orks, O f [Hellers] the published w orks, I like best the charm ing B erceuse, the exhilarating Chasse, and the delicious little piece on M endelssohn's M tnnelied. I play them often; I like the others also, and produce them often, but the first are my special fevorites.

I divide artists and amateurs into three categories on this head. The first play m y things wellthis is a sm all category; the second play them badly and are far more numerous; the third do not play them at all, and are the most numerous o f alL. B ut all these are not very anim ated, nor simple enough, nor ornate enough, or they are simple w here they ought to be ornate, and ornate where they ought to be simple; sentim ental w here they should be w arm and tender; pow erful instead o f amiable, heavy in light passages and vice vers.

You have rem ained m y ideal o f a pianist, for you never exaggerate. The great Rubinstein played several W aldstcke at my house the one in E among others. W hat a style! What exaggeration o f the less salient parts, and what negligence in the more important passages!

Free Violin Sheet Music – Wohlfahrt Etude Op. 45 No. 19 – Michael Kravchuk

He played my T arantella in A fiat a t St. I f such people only dared they would do the same to Beethoven. By the tim e H eller came to Paris I had already m ade a good many friends and could be o f some use to him by introducing him to people he wished to know. In my turn I owe him some interesting acquaintances. I made the acquaintance not only o f the great painter but o f many others o f my fether's early friends in Paris, more especially Stephen Heller and H ector Berlioz, whom I used to meet almost every Sunday evening in the house o f Madame Damck.

Towards the end of the year H eller brought one evening to m y room s a young musician, my senior only by six years, whose acquaintance he had made through Maurice Schlesinger, and who, as he told me in a side whisper, stood in great need o f kindness and assistance. The name o f this young m usician was Richard W agner. I was happy to m eet a man whose whole soul was wrapped up in musicas my own wasand the long hours we spent together at the piano playing duets from some o f m y m ost cherished collections.

It was a revelation to us, and we were never tired o f playing it through B ut the same was the case w ith aU the great conqx sitions for orchestra, or orchestra w ith chorus, arranged in similar form. How often w e m ust have played Beethoven's symphonies it is impossible to tell, and how we enjoyed them!

Chopin was another o f Heller's associates in Paris. M uch may be learned. As to Stephen H ellerwho him self told me that he would have liked to be more w ith Chopin, but was afraid o f being regarded as intrusiveMr. Hall thinks that Chopin had antipathy to him, which considering the amiable and truly gentlemanly character o f this artist seems rather strange. He [Niecks] was the author o f one o f the most rem arkable and detailed monographs devoted to Chopin's life and personality; this work rem ains an indispensable source to all researchers.

As H oesick was later to do in Poland,. N iecks contacted num erous pupils and associates o f Chopin living outside Poland at the tim e up to when he was preparing material for his book. The latter, hearing H eller ask for one o f his waltzes, inquired o f him w hich o f them he liked best. Tt is difficult to say which I like best, replied Heller, for I like them all; but if I were pressed for an answ er I would probably say the one in A m inor.

This gave C hopin m uch pleasure. T am glad you do, he said; it is also my favourite. W ith respect to H eller's feelings about C hopin as a performer, B aron de. Liszt, the pianist wdio can m aster the greatest difficulties, has often given that opinion. Chopin, immersed in his inspiration. Barbedette believed th at H eller strove to produce the same genre o f pieces as. What m ore do w e require to pass one o r several evenings in as perfect a happiness as possible? As for me, I seek in this collection o f poesy this is the only name appropriate to the works o f Chopin some favourite pieces w hich I might fix in m y m em ory rather than others.

Who could retain everything? For this reason I have in my note-book quite particularly m arked the numbers 4, 5, and 7 o f the present poems. O f these twelve much-loved studies every one o f w hich has a charm o f its own these three num bers are those I prefer to all the rest. There Chopin opens the w ay to a m odem conception o f music teaching, resolutely turning his back on m an y piano professors o f his time Some years later, Stephen Heller reacted similarly w ith his Etudes Opp.

Though falling short o f the transcendental character o f Chopin's Opp. Trmont, Baron de. I spent two months over a short mazurka, even w ith the help o f a musician to rectify my notes. D octor W ecker still speaks o f some tim e. Oh, God! I hardly believe in it. For eighteen months I have undergone an incessant treatment.

I feel dullso much is certain. I cannot read my beloved books, w hich have consoled me in so many troubles. I cannot go through my beloved scores o f the symphonies and quartets, that have made me spend many a charm ing hour. I cannot read the papers, nor my letters if the writing is sm all. So weariness m akes me sleep several hours during the day. Dear IfeU,. My eyes are a little betteralas! What I have just w ritten is before mepale, effaced, veiled.

But I am not quite blind, and may God leave me what I have. While I think o f the poor wretches I see at the doctor's, I may w ell render thanks to God. Ah, my friend, however little fortunate one may be, there is always some greater misfortune w hich one has been spared. Everything is relativ e.. I f I were to become blind, how I should regret my eyes o f to-day! Maimontel, Vcule mecwn du professeur de piano, ; trans. Victoria Neufeldt and David B. Guralnik, eds. Chevalier, Schott, another publisher o f H eller's, pressured him to write more operatic.

H e desired to combine the utile w ith the dulce. Nor did he w ish to write such elaborately grand works as the tudes o f Chopin. His are small lyrical poems, apart altogether from any educational purposes. He wished to conx se beautiful pieces, in every rhythm , and w ith every possible harmonyrestricting himself only in regard to the degree o f difSculty in execution, which he set before him, to that end sim plifying the form and avoiding all that was not absolutely necessary to the expression o f his thoughts.

Barbedette, life and Works, H eller's next period ofconq osition, beginning in , proved to be one o f. H e writes, A m ajor reason for the success o f these compositions m ay be attributed to. Booth, Life and M usic, Barbedette, IJfe and Works, In contrast, an exercise is a purely m echanical note pattern o f undetermined length, usually repeated on each chrom atic or diatonic scale degree, that will fem iliarize a player closely w ith a specific technical aspect o f his instrument and w ill develop his own physiological focuhies; it is never, strictly speaking, a co n lete musical composition.

Groves D ictionary o f Music and M usicians, Vol. Stucfy French tu d f by Edward Dannreufher, During the m id-seventeenth and eighteenth centuries, th e term etude was. Macmillan Publishes, Limited, S. Couperin, Francois, by Edward Igginbottom, Bach, Johann Sebastian, by Malcolm Boyd, Wniard A. Palmer, J. Ganz, The Development o f the Etudefo r Pianoforte, University o f Cmcmnati, , Ganz, The Development o fth e Etudefo r Pianoforte, Reginald R.

Czernys m ost celebrated etude w ork is a four-'-volume pedagogical keyboard. Czemy, Carl, by A Jice L. NCtcheU, Volume four. Gerig, Famous Pianists and Their Technique, Ganz, The Development ofth e Etudefor Pianoforte, Moscheles, Ignaz, by Jerome Roche, Luce, Lac. Ganz, The Development ofth e Etudefo r Pianoforte, Gordon, A H istory o f Keyboard Literature, Rosen, The Romantic G eneration, Ganz, The Development o f the Etudefor Pianoforte, Paganini, Nicol, by Boris Schwarz, Ganz, The Development o f the Etudefo r Picmoforte, Erlinda P.

Uszler, The W ell-Tempered Teacher, A final version o f the. Gillespie, Five Centuries o f K eyboard M usic, Uszler, The Well-Tempered Teacher, Gerig, Famous P ianists and Their Technique, H ellers next set o f. Jakob Schmitt Fortschreitende Stcke fu r den ersten Unterricht.


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  8. E tudes mlodiques et caratristiques Op. Henri Herz 30 E tudes progressives et doigtes Op. Form: A A: m Coda m. Allegretto, sem pre legato ed eguabnente 5 4 54 3 4. Y - ! Form: A B m. A lleg retto. A llegretto con moto. Form : A m. Etude N o. Etude in Ab, Op. A lleg ro. Form: Intro. Figure Etude No. I il acGomtL leggiero W. N -- f N! Form: A A: m. Form: Introduction, m. Form: Intro, m.

    V Uaccompag. Fonn: A B m. Allegro di molto. M easures 1 -6, 9 -1 4 , and 2 5 -3 0 contain right-hand accents that add rhythm ic. A llegro veloce. It also.

    Copyright:

    A llegro con b rio. Zeitschriftfu r MusikibaX was then edited by Schumann. In , H eller m oved to. In Paris, Heller co n o sed m any superficial works for publishers as a means o f. Barbedette, Life and Works, 1. Rudolf Schtz, Stephen Heller. In Booth, Life and Music, In addition to providing teaching literature for the intermediate-level student. He may. Although a w ealth o f intermediate-level literature is presently available to. Bailie, Eleanor. The Pianist's Repertoire. Chopin: A Graded Practical Guide.

    The Pianist's Guide. Grieg: A Graded Practical Guide. London: Valhalla Publications, Ball, May FoUey. New York: J. Barbedette, EBppolyte. Stephen Heller: H is Life and Works. Trans, by Robert Brown-Borthwick. Barnett, David. N ew York: Universe Books, Bie, Oscar. Translated and revised by K ellett, E. A H istory o f the Pianoforte and Pianoforte Players. New York: Da Capo Press, ; reprint o f edition. Brower, Harriette. New York: Carl Fischer, Cone, Edward T. M usical Form and M usical Performance. New York: W. Cooke, James Francis. Philadelphia: Theodore Presser Co.

    Cook, Nicholas. A Guide to M usical Analysis. Demuth, Norman. London: Museum Press Limited, Eigeldinger, Jean-Jacques. Cambridge: Cambridge U niversity Press, Ferguson, Donald N. A H istory o f M usical Thought. New York: F. Fillm ore, John Comfort. Philadelphia: Theodore Presser, Finney, Theodore M. A H istory o f M usic. New York: R obert B. Luce, Inc. G illespie, John.

    N ew York: Dover Publications, Inc. Gordon, Stewart. H alle, Sir Charles. Halle and M arie H all, eds. New York: D over Publications, H utcheson, Ernest. N ew York: Alfred A. K nopf K eller, Hermann. N ew York: W. K ersten, Ursula. Stephen Heller, Briefe an R obert Schumann. London: Tham es Publishing, K laus, K enneth B. The Rom antic Period in M usic. Boston: Allyn and Bacon, Inc. Kram er, Lawrence. Berkeley; University o f C alifornia Press, Ltd. K rehbiel, Howard Edward. New York: Scribners Sons, Lussy, M. Trans, by Miss. London: NoveUo and C onany, Lim ited, Lyke, James and Yvonne Enoch.

    Creative Piano Teaching. M arx, Dr. Adolph Bernhard. The M usic o f the Nineteenth Century, and its Culture. Trans, by August H einrich Wehrhan. London: Robert Cocks and Co. MuUer-Kersten, Ursula. N iecks, Frederick. Life o f Chopinjas a Man and M usician. Rosen, Charles. The Rom antic Generation. Cambridge, Massachusetts: Harvard University Press, Rowland, David, ed. The Cambridge Companion to the Piano. Schonberg, Harold C. The Lives o f the Great Composers, 3d ed. Schtz, Rudolf.

    Stephen H eller: Ein Knstlerleben. Smidak, Emil F. Stolba, K. Dubuque, Iowa: Wm. Brown Publishers, The Well-Tempered Keyboard Teacher. N ew York: Schinner Books, W aters, Edward N. Frederic Chopin by Franz Liszt. W esterby, Herbert. The H istory o f Pianoforte M usic. N ew York: E. WietTTnann, C. New York: Da Capo Press, Albergo, Cathy and Reid Alexander. Hinson, Maurice. Guide to the Pianist's Repertoire, 2d rev. Bloomington: Indiana University Press, M agrath, Jane. Schwann opus: Reference Guide to Classical M usic.

    Santa Fe: Stereophile, Inc. Classical Catalogue. London: Retail Entertainment Data. Heller, Stephen Becker, Heinz. Brody, Elaine and Jan La Rue. Trois Nouvelles Etudes. The M usical Quarterly 72, No. Huang, Hao and Harold Lee. Clavier 36, No. Levy, Edward. Analysis A pplied to Performance. College M usic Symposium 19, No. Randier-Glenisson, Anne. M aurice Schlesinger, diteur de m usique et fondateur de la Gazette m usicale de Paris, Fontes arts musicae 38, No. W agner, Gnther. Apel, W illi, ed.

    H arvard D ictionary o f M usic, 2 d rev. Blom, Eric, ed. New York: St. M artin's Press, Heller, Stephen Tstvn , by Richard Gorer. Blom, Eric, ed.. London: M acm illan and Co. Study French tude , by Edward Dannreuther. Bhune, Friedrich, ed. K assel: Barenreher-verlag, Heller, Stephen, by Reinhold Sietz.

    Neufeldt, Victoria and D avid B. Sadie, Stanley, ed.. N ew York: M acmillan Publishers, Lim ited, Bach, Johann Sebastian, by Malcolm Boyd. Sadie, Stanley, ed. N ew York: M acm illan Publishers Lim ited, Couperin, Francois by Edward Higginbottom. New York: M acm illan Publishers, Lim ited, Czerny, Carl, by Alice L. New York: M acm illan Publishers Lim ited, N ew York: Macmillan Publishers Limited, L iszt, Franz, by Hum prey Searle.

    Moscheles, Ignaz," by Jerome Roche. New York: Macmillan Publishers, Limited, Paganini, N icolo," by Boris Schwarz. Scholes, Percy A. L tude. Slonimsky, Nicolas, ed. New York: Schinner Books, Heller, Stephen. Berthiaum e, Gerald Bernard. U niversity o f W ashington, Booth, Ronald EarL Jr. The Life and M usic o f Stephen H eller. U niversity o f Iowa, Feliciano, Erlinda P. Forbes, Lois Thonqjson. Ganz, Peter Felix. The Development o f the Etude for Pianoforte. Goldenzweig, Hugo. New Y ork University, Higgins, Thomas.

    Horan, Leta Gwin. The Southern Baptist Theological Seminary, University o f Oklahoma, Marier, Robert Dale. U niversity o f Cincinnati, Spangler, Harry Stanton. History o f Pianoforte M ethods. University o f N orth Dakota, Bach, Johann Sebastian. Bach: Two-Part Inventions fo r the Keyboard. W illard A. Palmer, ed. Dietzer, MTou. H eller, Stephen. Etudes Clbres pour le Piano p a r Stephen Heller.

    60 Studies, Op. 45 sheet music for viola

    Etudes pour Piano de Stephen H eller: 25 Etudes mlodiques. Berlin: Schlesingersche Buch-und-M usikhandlung, []. Heller: 25 M elodious Studies, Op. Robert TeichmUer, ed. New York: C. Peters, Book I N ew York: G. Schirmer, Inc. Romantische Etden fu r Klavier. Gerhard Puchelt, ed. Berhn- Lichterfelde: Robert Lienau, [c. Sarmai Jozsef, ed. Budapest: Edito M usica Budapest, Stephen Heller: Op. W oss, ed. Wien: Universal Edition, [c.

    Stephen H eller's Piano Studies Op. American Fingering. Twenty-Five Studies fo r the Piano, Op. Guglielmo Andreoh, rev. Willard A. Hinson, M aurice. Essential Keyboard Repertoire, Vol. Masterpieces w ith Flair, Book 2. Masterpieces w ith Flair, Book 3. Masterwork Classics, Level 5.

    Masterwork Classics, Level 6. Melodious M asterpieces, Book I. Melodious M asterpieces, Book 2. Rowley, Alec. Heller Rediscovered: Miniatures, B ook 1. Heller Rediscovered: Nature Sketches, B ook 5. Heller Rediscovered: Preludes, Book 2. Snell, Keith. Piano Repertoire: Etudes, Book 5. Piano Repertoire: Etudes, Book 6. Piano Repertoire: Etudes, Book 7. Piano Repertoire: Etudes, Book 8. Piano Repertoire: Etudes, Book 9. Dclaration 2.

    Adieu 3. Amour sans repos Rastlose Liebe Op. Divertissement L elisire d'amore Donizetti 2. Rondoletto N orm a BeUini 3. Rondoletto L elisire damore Donizetti Op. E m st and Stephen H eller Vienna No. Pass 2. Souvenir 3. Romance 4. Lied 5. Agitato 6. Adieu 7. Rverie 8. Caprice 9. Inquitude Intermezzo Op. Rverie 2. La petite mendiante 3.

    Eglogue Op. Charles V I Chant national de lopra de Ifalvy 2. Slyvana Une pastorale Berlin, Op. D -flat 2. A -flat Op. Volkslied 2. Minnelied 3. Sonntagslied Op. Soldatenlied 3. Wiegenlied Op. La dame de pique Rondeau-caprice sur lopra de Halvy 2. La dame de pique Romance varie sur lopra de Halvy Op. Allegro vivo, in F-sharp m ajor 2. A llegretto quasi allegro, in F 3. A llegro, in B-flat minor 4. Andante, in B-flat 5. A llegretto con moto, in G 6. Assai vivace, iu G minor Op. A llegretto con moto, in C 2. Allegro energico, in A m inor 3.

    Vivacissim o, in A 4. Allegro agitato, in D m inor 5. Andantino, in B-flat 6. M olto vivace, in B-flat minor Op. A llegretto con grazda, in D -flat 3. Lento con espressione, in F 5. A ssai vivace, in C minor 6. Con m oto, in B-flat Op. Vivace, in C 2. Inq etuoso, in A minor 3. Lento con tenerezza, in G 4. M olto anim ato, in E minor 5. Andante quasi allegretto, in D 6. Allegro deciso, in B minor 7. Piu lento, in A 8. Allegro appassionato, F-sharp minor- 9.

    A llegretto con grazia, in E Allegro caratteristico, F-sharp minor Andante con moto, in G-flat M olto agitato, in b-flat minor A llegretto grazioso, m D -flat Piu m oderato e plaintivo, in F minor Andante placido, in F Allegro risoluto, in D minor A llegretto pastorale, in B -flat Allegro non troppo, in G m inor Op. Tarantella, N o. A llegretto con moto, in A -flat 2. A gitato con passione, in E -flat minor 3. A ndante con moto, in E 4.

    A llegro vivace, in A 5. A llegretto, in A-flat 6. A llegro assai, in F 7. A llegro risoluto, in F-sharp Op. A grestem ent, in B-flat 2. D 'un mouvement trs v if et passionn, in D m inor 3. V ivem ent et de bonne humeur, in D 4. D 'un m ouvem ent agit, in G m inor 5. M olto vivace, in F 6.

    A ssai vivace, in A Op. N octurne in G 2. N octurne in E 3. Noctum e-Serenade in G Op. D -flat m ajor 2. E-flat m inor Op. M ouvem ent modr, F 2. U m peu plus mouvement, D 3. M m e mouvement, B-flat 4. M oins vite, D 5. U n peu lent, A 6. Q uasi triste, A minor 7. V ivem ent, F 8. D licatem ent tendrement, A -flat 9. M oins vite, C Trs rapide, F m iner Commodment, F Op. Waltz of the Flowers Nos. Deck the Halls P Nostalgia P Aloha 'Oe Nos. Song of harvest P Schmetterling P Happy Chinese New Year Nos. Chinese New Year Theme P Golden Snake Dance P Swan Lake Nos.

    Original Rags P Forest Polka P Angels we have heard on high Nos. Brandenburg Concerto No. The First Noel P Magic Flute Trio Nos. Scottish Dances P Peach Blossom P The Herald Angels Sing Nos. Paganini Caprice No. Jingle Bells Christmas Edition P Silent Night P Amazing Grace P Joy to the World Nos. Dolly's Dreaming and Awakening P The Faithful Shepherd P Nutcracker Op. Little Star 12Var K P Peacherine Rag Nos. Piano Sonata No. Magic Flute Op. Etude No. La Ronde de Lutins P Horseman Nos. Vals del Recuerdo P Prelude No. Tempest Sonata Mov. O sole mio P Romeo and Juliet P Minuet K.

    Maple Leaf Rag P The Ragtime Dance Nos. Arirang P Au clair de la lune P Graduation Song Nos. Etincelles Etude Op. The Tuileries Gardens P Nel cor piu non mi sento Nos. Song of selling newspapers P Sakura Sakura P Lascia chio pianga Nos. Passacaglia P Sonata in A Major Mvt. Russian Dance Nos. Torna a Surriento P Dreaming of Home and Mother P Salut d'Amour Nos.

    Di Spagna sono la bella P Spinning Song Nos. Dance of Reed P Seguidilla P Tarantella Nos. Norwegian Dance Op. Farewell of Slavianka P Troika Nos. L'Arlesienne P Habanera P Vltava Nos. Valse Brillante Op. Serenade P Red Berries in Blossom Nos. Susanna P Yankee Doodle P Ode An Die Freude Nos. Auf Flugeln Des Gesanges P Three Bears P Red River Valley Nos. Wedding March P Marche Militaire P The Planets - Jupiter Nos.

    Flower and Youth P Green Sleeves P Modlitwa Dziewicy Nos. Hungarian Rhapsody No. Sonata in G Major K P The Seasons Op. Paganini Rhapsody Var. Peer Gynt Suite Op. Le Nozze di Figaro Nos. Papillon P New World Symphony Mvt. Nocturne Op. Minuet in G Major Nos. The Yellow River in Anger P Polka Italienne P Invitation to the Dance Nos. Elegie Op. Piano Concerto No. Siciliano P Sonata in D Major P Sonata in C Major K P Sonata in C Major Mvt.

    Sonatina in G Major P Wilde Jagd Nos. Sonatina P Auld Lang Syne P The Blue Danube Nos. Espana Cani P Sonata No. Bright Line Nos. Don Juan Paraphrase Part. The Nutcracker Overture P Smatroll P Feux Follets Nos. Danse Macabre P Venetian Boat Song P La Traviata Excerpts Nos. Oh My Beloved Father P Sonatina in F Major Anh. Defend the Yellow River Nos. Canon Rock P Turkish March P Flight of the Bumblebee Nos.

    Bahay Kubo P Gran Vals P Alone World Nos. La Paloma P Scar P La Cucaracha Nos. Rain Crowns P Beo dat may troi P Moon In Breezy Night Nos. Kitten Cleo P Johnny Has Gone for a Soldier Nos. El Reencuentro P Dance of the Little Swans P Birds Worship Phoenix Nos. Prisoners Dream P Little Red Riding Hood P Tiger's Family. Categories :. Cancel Save. River Flows In You. Kiss The Rain. The Time We Spent Together. Traceless Star. Christmas Day. December - Christmas. Dance of the Marionettes.

    All About Us. Everyone says. Gypsy Dance. Admission chorus. Tarantula Dance. The man regards me as the king. Simple Gift. Autumn dance. Butterfly flaps wings. Smile Smile Smile. Between the lines. Song of Seikilos. Wind in a Dream. Way For Home. Bagatelle in C minor WoO Wind, leave. By your side. Bluestone Alley-Adapted. As always. Salty Rag. Joyce's theme. Spring rain. Red Carmation. Little Star-Adapted. Fur Elise-Adapted. Maybe see you after four years.

    Gone away. Jumping hands. Game kids. Aida-Grand March. La donna e mobile. Land of Hope and Glory. Frohlicher Jagersmann. The Yellow Rose Of Texas. The Policeman's Song. Adventure Of Tiger. Bear Kang Kang. Farewell March. Daisy Bell. The Shepherd Boy. Forget Me Not. Drunten Im Unterland. Fantasia TWV Joyful In The Risen Day. La Fille aux cheveux de lin. Doctor Gradus ad Parnassum. Mary had A little lamb. Hanschen Klein. Ievan Polkka-Adapted. The Farmer in the Dell. Ayo Mama. Falling Falling. May I. Miss Fox. Crazy pharaoh.

    Witches and strange cat. Rosita Polka. The Plum Blossom on Snow. Water Flows Streamer. Click Go The Shears. Pick Tea and Catch Butterflies. Die Forelle D Thunder in the Dry Season. Ievan Polkka. Dance Of The Golden Snake 2. Indian Dreams. British Hunters. Champagne Bridge. Flowers and Fishes. Star Clock. Dolls and Bear Dancing 2. Christmas Snow. Jingle Bells-Adapted. Christmas Silent Night. Merry Christmas. First Noel. Christmas Rhapsody. Christmas Zoo.

    Days in a Green Hill. Bow Wow Wow. The Ending. Queen of the Night. The Dying Poet. A Tear. Meditation from Thais. Requiem in D minor. The Second Waltz. Danse Chinoise. Cuckoo Waltz. Danse Espagnole. Warblings At Eve. Carmen - Votre Toast. All Seasons Red. Rainy Night Flower. Szla Dzieweczka. Rage In Joyful C. Four Seasons - Autumn. Tarantella Napoletana. Toccatta in D minor. Morning Mood. Clouds Chasing The Moon. The Steadfast Palm Grass.

    Song Of The Stream. Stepping On The Rainy Street. Sitting Next To You. Build The Dream. The Truth That You Leave. The Way To Get You. Maxbay Went Away. Birthday Song. Piano Tiles. Pour Chopin. Solitary Awakening. Dance Of Fireflies. Forest Of Blocks. London Bridge Is Falling Down. Londonderry Air. Bella Ciao. Fur Elise. Evening song of the Fisherman. Voices Of Spring Waltz. Interplanetary Wandering. Dayung Sampan. Tico-Tico no Fuba. Turkey in the Straw. Nessun Dorma. March of the Dwarfs. Little Prince. Dark Side. Best Of Me.

    Feeling A Moment. Free Loop. Bad Day. Toot - toot Song. The Muffin Man. Riverside Bicycling. Spirits Of The Wetlands. Garland Waltz. The Whisper Of West Wind. Sonata for Two Pianos K Old MacDonald Had a Farm. The More We Get Together. Elves of Night. Bella Figlia Dell'Amore. Clair de Lune. Ten Little Indians. Two Minute Rhapsody. Old Black Joe. Drei Intermezzi.

    Longing for Spring K The Holy City. The day of resurrection. Jesus Christ is risen today. Thine is the Glory. When He cometh. Thanks to God. Singing I go. Country Dances. La Styrienne. The Wayside Rose. The Last Rose of Summer. Hunter's Chorus. Romance De Amor.

    Waltz of the Flowers. Deck the Halls. Aloha 'Oe. Song of harvest. Happy Chinese New Year. Chinese New Year Theme. Golden Snake Dance.